Smoked fish and quail egg ravioli


I've had quite a few moments of late where I've one way or another stumbled upon a recipe idea or concept that is either so simple or so brilliant that I find myself amazed it had never occurred to me before. Tonight I went to La Cucina, one of my favourite Italian restaurants in Oxford, and on the specials board they had stuffed sardines wrapped in pancetta. So simple, yet so delicious-sounding, and something I can't wait to try. Another such moment occurred on an episode of Raymond Blanc's latest TV series. He made a stunning pasta dish featuring ravioli filled with spinach and quail eggs; the eggs were briefly poached before being encased in the pasta, meaning that they were still liquid when cooked. I remember the camera lingering lovingly on a shot where the knife cut through the beautiful pillowy pasta to reveal flowing golden egg yolk, encased in a nest of greenery, and I wondered why on earth that had never occurred to me before. Who doesn't love slicing into the tender yolk of an egg to reveal its molten core? Surround it with a thin film of carbohydrate, and you have food heaven.



This dish had been on my mental 'to make' list for a while, and the other day I had an enormous craving for ravioli. Sometimes nothing will do, except those beautiful plump parcels piled in a steaming mountain on a plate and drizzled with a buttery, creamy sauce. I thought about making Raymond's recipe, but couldn't really be bothered to create all the different garnishes he serves with it; sauteed mushrooms, beurre noisette... Whilst the taste of ravioli served with nothing but melted butter and herbs is sublime, my waistline will unfortunately not survive such things on a regular basis. I wanted to make ravioli that could survive being served with some sort of sauce, without losing its delicate flavour; spinach and eggs are too subtle to risk overpowering with a tomato or other non-buttery sauce.


I've no idea where the idea for this recipe came from. I was on the train, and it literally popped into my head. I feel this is a good sign: J.K. Rowling said the inspiration for the Harry Potter series popped into her head in the same way, also while she was on a train, so I must be on the right track for future fame and culinary stardom. Right?


I won't claim that pairing smoked fish with eggs is a culinary revelation, because it isn't, but I am quite proud of the flavours in this ravioli. For the fish filling, I mixed flaked smoked fish (Vietnamese river cobbler, because it was on offer in the supermarket, but you could also use haddock) poached in milk with ricotta cheese, grated parmesan, salt, pepper, chives, a few fresh thyme leaves, and some grated nutmeg. The parmesan is great for accentuating the smoky, savoury richness of the fish, while the ricotta lightens it as well as binding it all together. Some lemon thyme would be excellent, but I only had normal thyme, which works too; its fragrance cuts through the richness of the filling.


The tricky part involved the quail eggs. I'm not brilliant at poaching eggs - they turn into watery ghosts more often than not - and seeing as quail eggs are so tiny I was sure I'd fail miserably. Actually, they came out perfectly, which pleased me immensely. I just added a little vinegar to simmering water, dropped them in (cracking them is not as easy as a hen's egg - you end up having to pierce the membrane under the shell with your nail), and removed them about 30 seconds later with a slotted spoon. I left them to drain on kitchen paper before placing them atop a spoonful of fish mixture on a square of pasta. It was a bit fiddly, but went much better than expected. I was worried they'd break when I tried to seal the pasta around them, but had no problems.


Unfortunately, seeing as quail eggs are so small, in order to poach them enough to be able to handle them, you have to almost cook them completely. This means that by the time the ravioli has cooked in its boiling water, the egg will be hard rather than soft boiled. I'm not sure how Raymond managed to get his to ooze luscious yolk all over the plate, and I'm a bit jealous, but to me it didn't matter that much. You still have the wow factor of cutting into each raviolo to reveal a beautiful little egg yolk, and the combination of crumbly, creamy yolk with the smoky fish filling is wonderful.


I deliberated for a while about what to serve these with, and in the end chose spinach - another classic partner for smoked fish and eggs. I found some leeks in the fridge, so decided to use those too. I just sauteed them in a little olive oil until soft and wilting, and then stirred in some seasoning, a squeeze of lemon juice, and some creme fraiche. The latter helped bring the whole mixture together to form a gorgeous, creamy green sauce. I piled it onto plates and arranged the ravioli over the top.



I am pretty proud of this recipe. The creamy greens provide just enough moisture to go with the ravioli, but aren't strong enough to overpower the subtle egg and fish mixture. It's a perfect harmony of flavours, and a very luxurious-tasting dish that still remains quite light. A bit fiddly, perhaps, but actually easier than you'd expect, given the delicious results. Thank you, Raymond, for the excellent inspiration.


Smoked fish and quail egg ravioli (serves 2):

140g plain flour
1 whole egg and 1 yolk
1 tsp olive oil
1/2 tsp salt

150g ricotta cheese
1 fillet (about 200-300g) smoked fish
300ml milk
Salt and pepper
1/4 tsp grated nutmeg
3 tbsp grated parmesan
A few lemon thyme or normal thyme leaves
2 tbsp finely chopped chives
12 quail eggs
1 tsp white wine vinegar
Squeeze of lemon juice

2 leeks, finely chopped
1 tbsp olive oil
300g spinach leaves
3 tbsp creme fraiche

First, make the pasta dough. Combine the flour, egg and egg yolk, olive oil and salt in a food processor and then knead to a firm and not sticky dough. Wrap in cling film and refrigerate for up to an hour.

To make the fish filling, poach the fish in the milk until cooked. Flake into a bowl, then add the ricotta, seasoning, nutmeg, lemon, parmesan, thyme, and chives. Mix together until you have a paste.

Poach the quail eggs in simmering water to which you have added the vinegar. Cook them for just long enough that you can remove them from the water with a slotted spoon. Leave to dry on kitchen paper.

Roll out the pasta using a pasta machine, and cut into evenly sized squares. Place a teaspoon of fish mixture in the centre of each square, then place a quail egg on top. Brush around the filling with water, then place another square over it. Be careful to push out any air when sealing the ravioli together.

Bring a large pan of salted water to the boil.

Now make the greens. Saute the leeks and spinach in the olive oil until the leeks are soft and the spinach has wilted. Stir in the creme fraiche, seasoning, and a touch of lemon juice. Keep warm while you cook the ravioli by putting them in the boiling water for 2-3 minutes.

To serve, pile the creamy greens into bowls and top with the cooked ravioli. Garnish with more grated nutmeg and parmesan, and a sprig of thyme.

Rhubarb preserves


Astrid from Paulchens Foodblog is hosting Weekend Herb Blogging this week, and once again I am going to go a little crazy over rhubarb. Still struggling to get through the enormous bag of the stuff given to my mum by a friend (the rhubarb and ginger cake made very slight inroads), I decided the most appealing option remaining was to preserve it in some shape or form. It wasn't quite gorgeously pink and slender enough for bottling, so I went down the jam and chutney route. It's been a while since I've made jam or chutney, but I do enjoy the wonderful alchemy of putting a load of apparently disparate ingredients (raisins, vinegar, onions, rhubarb, spices) in a huge pot and stirring away with a giant wooden spoon until they have merged together into a harmonious, spreadable delight. It makes me feel rather like a Victorian housewife.




I've never attempted either rhubarb jam or chutney before, but I decided to make both. Largely because I already have so much chutney (people just give it to me as a present - I'm not sure what exactly there is present in my constitution that screams "GIVE ME VINEGARY PRESERVES", but there must be something - not that I'm complaining) that I'm going to need to purchase either an entire pig or a kilo of cheese to go with it, and also because I've just run out of my beloved homemade fig jam and need a substitute. I am doubtful as to whether anything will match the sheer deliciousness of that jam, but surely if anything is going to, it will be rhubarb, one of my favourite ingredients.


I set about the chutney first, because it takes longer. I wanted ginger in there, for a fiery kick and also for its affinity with rhubarb. I wanted raisins, because I love the way they plump up in a preserve and add a lovely textural contrast. I wanted apple, to add another fruity flavour to the rhubarb, and I wanted brown sugar because I love its caramel notes. In they went, along with copious amounts of red wine vinegar, chopped red onions, rhubarb, salt, and curry powder. Adding curry powder is an idea I picked up from googling chutney recipes - it's easier than adding all your own spices in small amounts, and it adds a great spicy aroma. I would have put mustard seeds in there too, convinced we had a small bag of them in the larder - I had seen them before recently, and could visualise their location - except neither I nor my mum could find them anywhere. We practically dismantled the larder in search, but they were nowhere to be found, and now I am convinced I am losing my mind. You know you're too obsessed with food when you start hallucinating mustard seeds.


I let all of that bubble away happily, and set about making jam. Again, I used fresh ginger, and also the juice and zest of two oranges. I also put some ground ginger in there too, for extra heat, a lot of sugar, the rhubarb, and the juice of a lemon to help it set and to take the edge off all the sugar. Neither the jam nor the chutney looked the most appetising of things when they were finished, being rather brown and stringy, but it's all about the flavour, and the jam I tested was very nice. I haven't tried the chutney, as I need to let it mature for three months first, but it smelled rather delicious. I felt an immense sense of satisfaction as I spooned the finished preserves into their little jars, sealed them, and labelled them. My inner home economist is placated, and now all I need is to make a loaf of bread to eat the jam with. 


I bottled this jam and chutney in a mixture of Le Parfait and normal jam jars, so I've given roughly the number of normal jam jars it will fill. This depends on your jars, though, so have a selection sterilised and waiting for the finished preserve. If you can only half-fill one, just keep it in the fridge and eat it first!



Rhubarb and ginger chutney (makes about 6-7 jars):

1 kg rhubarb, cut into lengths
500g red onions, roughly chopped
4 cooking apples, peeled and roughly chopped
400g raisins
60g fresh ginger, grated or finely chopped
300ml red wine vinegar
1 tbsp curry powder
1 tbsp mustard seeds (if you actually have some, and are not just hallucinating)
2 tsp salt
400g muscovado sugar

Boil the onions, ginger and vinegar for 10 minutes. Add all the remaining ingredients, except the rhubarb, and cook for about 15 minutes until the apples have softened. Stir in the rhubarb, and simmer gently for about an hour, possibly two, until it has all softened and formed a thick brown mass. You should be able to run the spoon down the centre of the pan and leave a momentary gap between the two halves of the mixture.

Pour into hot sterilised jars while the mixture is still very hot, then cover with waxed discs and seal. Leave for at least three months to mature before eating.


Rhubarb, orange and ginger jam (makes 4-5 jars):

1 kg rhubarb, cut into short lengths
Juice and zest of 2 oranges
50g fresh ginger, grated or finely chopped
1 tsp ground ginger
700g granulated sugar or jam sugar
100g muscovado sugar
Juice of 1 lemon

Place all the ingredients in a large pan and bring to the boil, stirring to make sure the sugar doesn't burn. Lower the heat and simmer gently for an hour or two until the jam has thickened. To test it, put a plate in the fridge until cold, then spoon a little jam on top. Leave for a minute, then run your finger through it - it should wrinkle.

Spoon the hot jam into sterilised jars, cover with wax discs and seal.



Hot cross buns and happy Easter


It's Easter. Therefore it seems a fitting time to post about the hot cross buns I made a few days ago. I've been quite late with them this year - normally as soon as I return home for the holidays, I get out the flour, yeast, milk, dried fruit and spices. Better late than never, though, and I will be enjoying one of these delicious creations today, split, toasted and spread with lashings of butter. I think hot cross buns incorporate many of my favourite things: a doughy texture, a sweet crust, dried fruit, liberal amounts of spice, and the potential to be toasted and buttered. Rather like a teacake, but somehow better and more interesting. I hate the insipid versions you can buy en masse at supermarkets at this time of year: no more complex than a white bread roll, but with a cross piped on top in order to guarantee it goes in your basket in the run up to Easter. A hot cross bun is not a white roll with a bit of fruit in and a cross on top; its culinary DNA is completely different. The dough is enriched with butter, milk and sometimes an egg in order to give it that rich, glorious density that marries so well with sweet, spicy adornments.



I used to make hot cross buns in the breadmaker, getting it to do all the hard work of mixing, kneading and incorporating the fruit for me. However, now that I have the KitchenAid, this wasn't necessary. I did do some of the work by hand, though: I started off by rubbing butter into flour, as you would for a crumble, and after I had used the dough hook to knead the flour, yeast, butter, spices and milk together I folded the fruit into the dough by hand.



I've been reading articles on hot cross bun recipes over the last few weeks, and the general consensus is that you don't mess with the traditional dried fruit. There seems to be a particular aversion to using cranberries, for some reason. Naturally, I do love a good act of gastronomic rebellion, so I decided to make two batches of buns: one with the classic raisin, currant and mixed peel combination, and another using orange zest and cranberries. They're my hot cross buns and I will do what I like with them. Ever since I made cranberry stollen at Christmas, I can't get enough of these gorgeous, jewel-like dried berries. I also have a version including dried apple in the back of my mind for next year.


For these buns I decided to use fresh yeast, having recently discovered its miraculous qualities. It really does make a much lighter crumb and a dough that somehow feels much more alive. Some of my previous attempts at hot cross buns have been more like rock cakes, so I hoped that the inclusion of fresh yeast would give that delightful moist, spongy texture.


The dough was wonderful to work with: the smell of the spices and the rich texture from the butter and milk had me sitting there just inhaling the scent from the mixer bowl. Eventually I forced myself to start kneading the fruit in: the trick is to scatter it all over the stretched dough, fold it up to make a parcel, and then just keep kneading. Normally it can be quite tricky to keep all the fruit in, but because this is such a sticky dough I had no problems. I especially enjoyed grating the zest of an orange onto one batch of dough; the smell of the essential oils permeating the air as I kneaded was wonderful.



I let both doughs rise until doubled in size, which took a lot less time than I'd expected. I still can't get used to how quickly fresh yeast causes a dough to rise. Then I divided it into little balls, spaced them out on a baking tray, and let them rise again. For the crosses, I used a flour and water paste. I've seen recipes that call for fancy combinations of flour, yeast, water, oil and baking powder, but to be honest I think life's too short to faff around with the cross on a hot cross bun. After all, once it's smeared with butter and toasted, it doesn't really matter whether you used a simple mixture or a complex one.


It's true, you can buy many decent versions of hot cross buns. My favourite are the M&S ones, which have a wonderfully light texture and a really rich flavour. But if there's one incentive guaranteed to make you bake your own, it's the ensuing smell in your kitchen. The aroma of spices, fruit and butter will permeate every corner of your house, meaning that the wait for the buns to cool sufficiently so they can be eaten is agonising. I'm sure there has been many a burnt tongue over the years from eager cooks losing patience and devouring a just-baked bun.


Finally, the all-important sugar glaze. This gives the buns a moist, sweet stickiness. This year I decided to jazz up the glaze a little by adding a couple of strips of lemon peel. It makes it slightly more fresh-tasting, which is a good balance for the sweet fruit and dough. I really enjoy brushing the hot syrup onto the golden buns, hot from the oven, poking it into every nook and cranny on the dough's dimpled surface. They then sit there in their own little pools of syrup until cool enough to eat, which - fortunately - only takes about five minutes.


I am pleased with this recipe, although one thing I still haven't been able to master is getting the buns to rise to a sufficient height. They rose immensely with the fresh yeast, but outwards rather than upwards, resulting in quite a flat bun that isn't really big enough to split in half and toast. Not that they weren't delicious, pulled apart in a rustic, haphazard fashion and smeared with butter, but next time I might let the dough rise first and then cut it into squares before baking, instead of rolling it into little balls. This is, of course, a very minor aesthetic complaint. Otherwise, they're perfect. 

And, despite reports to the contrary, the orange and cranberry version is exceedingly good. In fact, I think I prefer it. Last year I went a bit mad and made a chocolate and orange version, which was incredible. I did feel a bit sacrilegious, introducing chocolate to the mix, but it was unfeasibly good. The chunks of chocolate melt when baked or toasted, giving a gorgeous cocoa stickiness to the bun, which, coupled with orange zest, resulted in a sort of hot cross bun slash jaffa cake taste sensation. Unorthodox, but wonderful. I suggest you try it.

Happy Easter!



Hot cross buns (makes about 20):

400g strong white bread flour
60g light brown sugar
1 tsp salt
1/2 tsp each of ground cloves, nutmeg, cinnamon and ginger
45g cold butter, cut into cubes
50g fresh yeast
130ml tepid water
70ml milk
Either 100g currants, 115g sultanas and 50g chopped mixed peel, OR for the orange and cranberry version, zest of 1 orange, 150g dried cranberries, 50g mixed peel and 50g sultanas
Flour and water, for the crosses
100g caster sugar
100ml water
2 strips lemon peel

Place the flour, sugar, salt and spice in a mixing bowl. Rub the butter in with your fingers, as you would a crumble, until the mixture resembles fine breadcrumbs.

Dissolve the yeast in the tepid water. Make a well in the centre of the flour mixture, then add the yeast mixture and the milk. Use an electric mixer with a dough hook to knead for 10 minutes, or do so by hand. It will be a very sticky dough, but avoid the temptation to add much more flour.

Spread the dough out on a work surface and scatter over the dried fruit. Pull the dough up around it to make a parcel, then continue to knead for a few minutes until the fruit is evenly distributed. Place the dough back in the mixing bowl, cover with cling film and leave to rise in a warm place until doubled in size (about an hour).

Knock the air out of the dough, then shape into small balls and place on a baking tray lined with baking paper - allow space for them to spread out. Leave again to rise until doubled in size.

Pre-heat the oven to 200C.

For the crosses, mix a little flour with a little water until you have a thick paste. Spoon into a plastic freezer bag, cut the corner off, and use this to pipe crosses over the top of the buns. Place in the oven and bake for 10-12 minutes, or until golden brown.

While the buns are baking, heat the water and sugar together until boiling, then add the lemon peel. Bubble for 10 minutes until thick and syrupy. When the buns are cooked, remove from the oven and immediately brush over the sugar glaze. Remove to a cooling rack.

Wait, if you can, for the buns to cool, then spread with butter and eat.

(Adapted from Lesley Wild, A Year of Family Recipes)

Adventures with a KitchenAid mixer #3: sticky rhubarb cake


I came back from Italy a few days ago to find an enormous bag of rhubarb in our kitchen. Enormous. There must be at least three kilos of the stuff in it. I will spare you my favourite spiel about how much I adore rhubarb and proceed to describe how I turned this back of green and pink stalks into one of the most delicious cakes in existence, with the help - naturally - of my beloved new KitchenAid stand mixer. Because this rhubarb is later in the season, it lacks the slender, elegant pinkness of its champagne cousin, and therefore isn't entirely suitable for a simple poaching or roasting treatment. This cake is a great and pleasantly rustic way to make the most of rhubarb that needs a little more doing to it than a simple scattering of sugar.



First, the cake batter. This is a simple mixture of brown sugar and butter, creamed together before adding yoghurt, eggs, ginger and self-raising flour. I was pretty generous with the ground ginger, because it goes so well with rhubarb and also with brown sugar. I've made this cake once before using sour cream instead of yoghurt, but I decided to try yoghurt because a) the sour cream I found in the fridge was interspersed with thick veins of furry blue mould and b) because yoghurt is a rather healthier substitute and I am still feeling vast after my trip to Italia.


The result is a rather thick batter that smells and tastes incredible. I think it's the tartness of the yoghurt that, coupled with the brown sugar and ginger, provides the most wonderful balance between sweet and sour. It goes into a tin, and then it's time for the rhubarb. Of course, making the batter requires no more effort than putting things into the bowl of the KitchenAid and switching it on. I'm still getting used to having my cakes mixed in a fashion that requires no hands-on effort from me.


Having been spoiled by early season rhubarb, hacking my way through these rather thicker and tougher stems was a novelty. I nibbled a bit of one out of interest, and it was rather like eating a lemon. I quite like the way this kind of rhubarb is green in some places and pink in others; it's an unusual colour contrast and for some reason reminds me of sticks of rock. Though I have never eaten or in fact closely observed a stick of rock. I sliced the rhubarb into short lengths, and arranged it on top of the cake batter.



In retrospect, I think it would be better to slice the rhubarb into longer lengths and arrange them horizontally rather than vertically with the cut sides facing upwards. I was in the mood for making patterns, though, so I arranged the pieces in concentric circles, having a sneaking suspicion that when I removed the cake from the oven they wouldn't look nearly so neat. I was correct. The ends had sort of frazzled in the heat and it looked a bit dry. Fortunately, the next step is designed to rectify any such issues in the most delicious way imaginable.


Ginger syrup. Water, sugar and ground ginger boiled until sticky and fragrant. The perfect partner to tart rhubarb, the syrup goes over the top of the cake once it has had a while to cool. I made some holes in the cake before I poured it over, in the style of a lemon drizzle cake. There was a lot of syrup left over, even though I completely drenched the cake in it. It soaks into all the cracks between the rhubarb and the batter, leaving a gorgeous glistening finish and a superbly moist cake. It also seeps into the pieces of rhubarb, softening and sweetening their astringency.




I love the look of this cake; it's very rustic, with its scattering of rhubarb sticking up at odd angles, but also intensely inviting because of the way the syrup shines wickedly over the surface, hinting at promises of sugary goodness to come. Cut into it, and you're rewarded with an incredibly moist crumb with a slight sourness that balances perfectly with the rhubarb and lashings of sugar. The ginger also marries perfectly, preventing over-sweetness. The best part is the top layer where the syrup has soaked down into the cake. Words cannot express just how satisfying and simply delicious this is. Add some vanilla ice cream, and you have dessert heaven. It's best eaten warm but keeps well for a few days too.


Sticky rhubarb and ginger cake (makes a 22cm cake):

75g butter, softened
250g brown sugar (light or dark - I used light)
300ml natural yoghurt
2 eggs
2 tsp ground ginger
300g self-raising flour
400g rhubarb
100g caster sugar
1 tsp ground ginger

Pre-heat the oven to 180C. Grease and line a 22cm springform cake tin.

Cream the butter and sugar together using an electric mixer. Add the yoghurt, eggs and ginger, and mix well until combined. Fold in the flour - you should have a smooth but fairly stiff batter. Pour the batter into the cake tin.

Chop the rhubarb into short lengths and scatter over the top of the cake, as neatly or as messily as you like.

Place in the oven and bake for an hour and a half. If the top starts to brown too much, cover with foil. Remove and leave to cool.

Make the syrup by mixing the caster sugar and ginger with 100ml water. Bring to the boil and bubble until thickened and syrupy. Use a fork to poke some holes into the cake (try not to go all the way through to the bottom), then drizzle the syrup over.

Serve immediately with creme fraiche, yoghurt, or vanilla ice cream.


Pearl barley risotto with asparagus, quail eggs and parma ham


Here goes. Episode number something-or-other in the series of "Elly tries, yet again, to like asparagus". As I've mentioned before, I am not the biggest fan of those green spears that, come late spring, set most food-lovers' hearts ablaze with excitement. Yet I feel compelled to like asparagus, because it's one of those 'things' that any self-respecting gastronome should go mad for, along with the first rhubarb of the season, real English strawberries, and purple sprouting broccoli. I therefore feel it is my mission to devise recipes that will render the green stuff a little more palatable; I am usually put off by its bitterness and almost sour flavour (maybe there's something in my saliva that reacts badly with it - I know this is the reason a lot of people can't stand coriander). So when I saw the first spears of the season at the market the other day, I snapped them up (at vast expense - how is it that English-grown produce can be three times the price of stuff flown in from Spain?) and set about devising a way of making the most of such a widely-revered crop.



I can usually enjoy asparagus when coupled with something salty to offset its bitterness. Parma ham is a classic partner, and I also thought that the salty, savouriness of a risotto would provide the perfect blanket for the green spears. Quail eggs were not really essential to the dish, but I discovered a few days ago that Sainsburys sells them (I'd only ever seen them at the market before), and they are so lovely that I just had to include them. Besides, eggs and asparagus are another classic combination (although one that, alone, I find rather cloying).


I used pearl barley for this risotto, rather than rice, because I love its texture and nutty flavour, which I thought would balance well with the salty parma ham and eggs. I used the same technique as for a rice-based risotto, but stirred for about a million hours more. Barley takes longer than you'd think (or wish, when ravenous) to cook. My friend Ben (who has berated me on several occasions for never being mentioned on my blog, so I am now rectifying this situation) stood there harassing me in the manner of a small child in the back of a car: "Is it ready yet? Is it ready now?"


I put some of the parma ham in the risotto towards the end of the cooking time, and the rest I dry-fried in a pan until it became crispy and I could crumble it over the risotto. I hard-boiled the quail eggs and used them as a garnish. I was annoyed that I overcooked them, because I wanted them soft-boiled, but I am writing this two weeks later, having had soft-boiled quail eggs yesterday, and I now know that they are nigh on impossible to peel when soft-boiled, so maybe the extra cooking time was a good thing.



I wanted to make the most of the expensive asparagus in the risotto, so I used every bit of the stem: the tough end of the stalks went in with the stock to add extra flavour; the base of the stalk I sliced finely and stirred into the onions at the beginning of the cooking time, and the fragile tips went into the mixture towards the end of cooking, so they softened in the heat of the final ladleful of stock. Some grated parmesan, black pepper, and that was it. Actually it didn't even need parmesan; it was salty enough from the stock and the ham.



The verdict? Very enjoyable. In fact, it was delicious. The combination of barley, stock, salty ham and tiny eggs transforms asparagus into something superb. It would work well with normal risotto rice, as well, and bacon instead of parma ham. The eggs are optional, but I just love the look of them perched atop a mound of glistening creamy rice. Be warned that they are possibly the biggest faff in the world to peel; start at least ten minutes before you want to eat them.


I think Ben also enjoyed it. I hope the mention of him here will make up for the countless times I have omitted his name in descriptions of dinners I've cooked for him. He provides excellent risotto-stirring entertainment by regaling me with his entrepreneurial ideas for iPhone-related gadgets...but I will say no more, because he's certain one such idea will be the making of his millionaire future, and I wouldn't want to spoil that for him by giving the idea away.

What I will give away, however, is the recipe for this risotto. Because it was very tasty and I think will win over any fellow asparagus-sceptics - are there any of you out there?! I sometimes I feel I am the only one...



Pearl barley risotto with asparagus, quail eggs and parma ham (serves 4):

1 large onion, finely chopped
3 cloves garlic, finely chopped
A bundle of asparagus
Olive oil
Butter
350g pearl barley (or risotto rice, in which case cook for less time)
A glass of white wine
2 litres chicken stock
Parma ham (quantities are up to you - I used about 8 slices)
12 quail eggs
Parmesan, to serve
Chives, lemon thyme or parsley, finely chopped (or all three)

Bring the stock to the boil in a saucepan. Snap the tough ends off the asparagus, and put them in the stock. Keep it at a gentle simmer.

Heat some olive oil in a pan and saute the onion and garlic until softened. Slice the asparagus stalks into thin rounds and add to the onion and garlic - reserve the tips for later. Add a knob of butter to the pan and leave to melt, then stir in the barley and coat in the butter.

Pour in the wine, and let bubble until it has been absorbed by the barley. Add the stock, a ladle at a time, stirring until it has all been absorbed before adding the next. This will take a good 40 minutes or more for barley, about 25 for rice. The barley should be soft but still a little bit nutty. You might not need all the stock, or you might need more, in which case use hot water if you run out. Don't add the tough asparagus ends along with the stock - they're just to add flavour.

Towards the end of cooking time, dry-fry half the parma ham in a frying pan until crispy, then remove to some kitchen paper. Stir the rest of the ham into the risotto, along with the asparagus tips. Taste and season. Stir in your choice of herbs - I used chives because they go so well with eggs and ham.

For the quail eggs, bring a pan of water to the boil. Drop in the eggs and cook for 2 minutes, then remove to a bowl of cold water. Peel and halve them.

To serve, place the risotto in bowls and crumble the crispy parma ham over the top. Garnish with the halved eggs. Serve with grated parmesan.

Walnut and juniper crusted venison loin with chocolate jus


This beautiful loin of Yorkshire venison has been sitting in my freezer for months. It seemed so special that I could never find an occasion good enough to defrost and cook it. I was also frightened of doing something bad to it and ruining what is one of the most wonderful ingredients I have ever used. The loin of venison is the prized cut: like beef fillet, it is tender, succulent, and beautiful. Overcooking it would be a culinary crime. I've only used it once before, to make a venison carpaccio with raspberry vinaigrette. I seared the loin, and then thinly sliced it to serve with a mixture of balsamic vinegar and crushed raspberries. I remember being delighted when my guests didn't finish it all, and the next day I feasted off sandwiches of thinly-sliced, rare deer. Carving rare meat is one of my favourite kitchen tasks; I love the incredible colour and texture of tender, pink flesh, particularly game. Finally I plucked up the courage to remove the venison from the freezer.



I had no fixed idea of what I wanted to do with it, so I made a mental list of all the things that work well with this meat: juniper, nuts, mash, chocolate, raspberries, bitter greens. I've seen Jerusalem artichokes around for ages now, and keep meaning to use them, so I decided I'd definitely include them in a mash to go with the venison. The rest just sort of happened in my head: I wanted some kale in there, because I love it, and because the dark, iron richness of greens goes well with game. I like the idea of encasing meat in a crispy crust, for textural interest, so I found a way there to incorporate walnuts and juniper. Finally, a chocolate and red wine jus.


Chocolate and venison is by now a well-established culinary connection. There's something about the cocoa richness of dark chocolate that really enhances the flavour of the meat. I just grated a little into a jus made from the pan juices of the venison loin, some beef stock, some red wine, and a sprig of thyme. Finally, I added a few raspberries, crushing them into the jus for a hint of piquancy to lift what is otherwise a very earthy dish. The chocolate adds a depth of flavour that you wouldn't expect; it's excellent.


For the venison, I seared the loin in a pan before rolling it in a mixture of crushed walnuts, crushed juniper berries, dried thyme and seasoning. It then went in the oven for ten minutes; the walnuts became crispy, and I left it to rest under foil while I finished the mash, greens and sauce. It sounds like a fairly complicated recipe, but it isn't really: the trick is getting all the elements finished at the same time.


I was really pleased with how it turned out. The meat was cooked exactly as I like it: very rare. Anything else would have been wrong with such a tender cut of meat. I was surprised at its moistness, too - game can often be very dry, even when left bloody. I sliced it into beautiful rounds, still with a few walnut crumbs clinging to them, placed them on the mash, and drizzled over the jus and raspberries. The sauce is absolutely wonderful: the beef stock gives it a richness that the chocolate then enhances, and it works so well with the texture of the meat. There are lots of very big, rich flavours going on, but they're balanced by the greens and the raspberries, and the slight sweetness of the rare meat. One to repeat, I think. If I could change one thing, I'd toast the walnuts first for extra crunch.



Juniper and walnut crusted venison loin with raspberry and chocolate sauce, Jerusalem artichoke mash, and kale (serves 4):

1 venison loin (about 600g)
A little olive oil
A handful of walnuts, toasted
6 juniper berries
1 tsp dried thyme
6 Jerusalem artichokes, peeled and halved
3 mashing potatoes, peeled and cut into large chunks
3 tbsp creme fraiche, cream, or butter, for the mash
Several large handfuls of curly kale
200ml red wine
200ml beef stock
Sprig of thyme
A bar of dark chocolate
A few raspberries (optional)
1 tsp balsamic vinegar

First, bring a pan of water to the boil and add the artichokes and potatoes. Simmer until tender. Pre-heat the oven to 180C.

Meanwhile, pulse the walnuts, juniper berries, dried thyme and some seasoning in a blender to make fine crumbs. Spread out on a plate. Get a frying pan very hot, add a little olive oil, then sear the venison loin on all sides. Roll it in the crumb mixture to coat all over, then place on a baking tray and put in the oven for 10 minutes (this is for rare - increase the timings a little if you like your meat more cooked, but beware of overcooking this very tender cut). When done, remove and cover with foil to rest for 10 minutes.

Pour the stock and red wine into the venison pan to deglaze. Add the sprig of thyme and simmer until reduced by half. Taste and check the seasoning, then add the balsamic. Strain into a jug, and just before serving, grate in some dark chocolate. How much is up to you - keep tasting. You don't want it to turn into chocolate sauce, but you can put a surprising amount in without overpowering the meat. Add the raspberries too, if you like.

Place the kale with 2 tbsp water in a large, microwaveable bowl, cover with clingfilm and microwave on full power for 3 minutes. Alternatively, steam using a steamer. Season and keep warm.

Drain the potatoes and artichokes and mash. Add creme fraiche, cream, butter and milk to taste, along with lots of salt and pepper.

To assemble, spread some mash on a plate. Slice the venison loin into slices about 1.5cm thick, and arrange on top. Spoon some kale onto the side, then finally drizzle over the chocolate jus.


Adventures with a KitchenAid mixer #1: simnel cake


If you haven't seen one of these before, where have you been living? The iconic design of the KitchenAid stand mixer means it is coveted by cooks everywhere. And probably also non-cooking hedonists whose lives are dominated by a search for the aesthetically pleasing. You can't deny that its gorgeous curves, sleek surface and beautiful colours are probably more of an incentive to purchase it than any skill it might have in actual mixing; however, style and substance unite in its ability to effect a huge variety of kitchen tasks while still looking fabulous - it's the Nigella Lawson of kitchen equipment. I'm lucky enough to possess one of these mixers at the moment, so I'll be putting it through its paces to see how it fares in my busy culinary lifestyle.




KitchenAid pride themselves on their stylish, durable and reliable mixer. It comes with three basic attachments: a wire whisk, a dough hook, and a beater. The former is for whipping fragile mixtures like egg whites; the dough hook for - obviously - bread doughs, and the beater for thicker, more sturdy mixtures like cake batters. However, should you wish to branch out, you can get all sorts of fancy attachments for it - a pasta maker, a sausage stuffer, a mincer, a citrus juicer, and an ice cream maker, to name but a few. It's pretty amazing what you can do with one piece of equipment. Especially when it's purple. My one is the 'grape' colour, but if you take a look at the website there are over 20 beautiful colours to choose from (my favourites are 'electric blue' and 'candy apple'). 


Now, it's all very well me saying this, but I can't really sing the praises of the mixer until I've tested it. Fortuitously, it's that time of year when I need to start thinking about making simnel cake, an Easter favourite in our house, replete with dried fruit, marzipan, and citrus flavours. I've made it for the last couple of years and decided to make it in good time this year to allow it to mature before Easter. I'm not very good at allowing baked goods to mature - I tend to eat them before they have half a chance - so it's probably a good thing I'm going to Italy on Saturday for a week; the poor simnel cake will be able to slumber, unmolested, in my kitchen, its sticky, sugary ingredients becoming acquainted and fusing together into a fruit-studded mass of Eastery goodness. Seeing as I declared the KitchenAid to be the Nigella Lawson of kitchen equipment, I decided to use a Nigella recipe to test it.


I used the beater attachment for this cake, because it's quite a thick mixture, especially once the fruit is added. Butter and sugar went into the mixing bowl, and within about a minute the mixer had beaten them to within an inch of their lives, forming a fluffy, creamy mass. I then incorporated the eggs, alternating with the dry ingredients (flour, baking powder, ground almonds, cinnamon, ginger). Finally, the fruit: glace cherries, sultanas, raisins, currants, mixed peel. One thing I would suggest is not to try cracking the eggs directly into the bowl while the mixer is on: you're guaranteed to drop half the shell in there too, which will be blitzed to a jagged paste before you can even utter a single word of profanity.


Ovoid disasters aside, I was very pleased with the mixer's performance. It's incredibly heavy, which also means it sits sturdily on the worktop and doesn't make huge amounts of noise as it mixes - far less noise than my electric whisk, which I'd normally use. One very minor criticism is that the lever you pull to change the speeds is rather stiff, and you can accidentally end up turning it off or right up when you only wanted to turn it down or up by a speed. But other than that, I have no complaints. I was worried that the beater might not be able to reach to the bottom of the mixing bowl (which, by the way, looks quite small but actually has a capacity large enough for most baking projects, at nearly five litres), leaving a residue of unmixed ingredients, but its unique planetary action (which sounds rather more exciting than it actually is, and had me eagerly expecting the mixer to launch into outer space and start orbiting Saturn) means that no part of the bowl is left unscraped.


The attachments are also very easy to attach and remove, as is the bowl, which makes for easy cleaning. It's definitely a piece of equipment that you'd want to sit on your worktop, rather than in a cupboard, largely because it's so heavy that you'd be built like a wrestler if you were trying to manoeuvre it every day. I think that's why they make so many lovely colours: you're guaranteed to find one that works with your kitchen decor.


I put half the cake mixture in its tin, and rolled out a circle of marzipan to cover it, before spreading the rest of the mixture on top. It then went in the oven. This delightful vein of almond paste in the centre of the cake adds moisture and flavour without being overpowering; it's not like the huge chunk of marzipan you find in stollen. I'm not sure who had the idea of putting sugary almond mixture in the middle of a cake, but it's a good one.


After the cake was baked and cooled, it was time to decorate it with more marzipan, and of course, the marzipan 'disciples' (minus Judas, because the culinary - and of course, religious - world is none too pleased with him). I like this part: rolling golden orbs of marzipan between one's hands, forming not-quite-perfect little spheres of sugar, is one of those therapeutic kitchen tasks that I love (along with making risotto, or rubbing butter into flour). I used an apricot glaze to stick the marzipan to the cake, and the disciples on top.


The next step is to score the surface of the cake with a sharp knife, and place it under the grill. This of course is optional, but I think the burnished surface of the marzipan (and, of course, the smell of toasting almonds and sugar) is wonderful. Two years ago I burnt it, so last year I used my cook's blowtorch, but as I hadn't brought the blowtorch home this year I had to use the grill again. I kept a very careful eye on it: it can turn from pleasant gold to carcinogenic black in a matter of seconds. I think this year I achieved just the right level of toastiness. I love the colours of the golden and brown top.


A very successful first outing for the KitchenAid, I think. Obviously I can't report on the simnel cake yet, because it has not matured. It will mature, I am determined, so I will have to let you know about it at a later date. I can't wait to try out the KitchenAid for other recipes, so watch this space. In the meantime, I will admit to standing in the kitchen and stroking the mixer lovingly, emitting sighs of culinary covetousness.



Simnel cake (makes a 20-22cm cake):


100g glacé cherries 
¼ teaspoon ground ginger 
500g mixed dried fruit 
25g ground almonds 
175g soft, unsalted butter (at room temperature)
3 eggs 
175g caster sugar 
2 tablespoons milk 
Zest of 1 lemon 
1kg yellow marzipan to decorate
225g plain flour icing sugar for rolling 
1 teaspoon baking powder 
1 tablespoon apricot jam, melted 
½ teaspoon ground cinnamon 





Take everything you need out of the fridge. Preheat the oven to 170C. Butter and line the bottom and sides of a 20cm or 22cm springform cake tin with baking paper. Chop the cherries very finely and add them to the rest of the fruit.
Cream the butter and sugar until very soft and light, and add the lemon zest. Measure the flour, baking powder, cinnamon, ginger and ground almonds into a bowl and stir to combine.
Add one of the eggs to the creamed butter and sugar with 2 tablespoons of the dry flour-and-spice ingredients, then beat in the remaining eggs in the same way. Beat in the rest of the dry ingredients, and then the milk. Finally fold in the fruit.
Dust a surface with a little icing sugar and then roll out about 400g of the marzipan. Cut it into a 23cm circle that will fit in the middle of the cake later. Spoon half of the fruit-cake mixture into the cake tin, smoothing it down with a rubber spatula, and then lay the marzipan circle on top of it. Spoon the rest of the mixture into the tin on top of the marzipan circle and smooth the top again. Bake for half an hour and then turn the oven down to 150C for another 1½ hours or until the cake has risen and is firm on top. Let it cool completely on a rack before you spring it open.
Unspring the cooled fruit cake, and unwrap the lining from the cake. Roll out another 400g circle of marzipan, paint the top of the cake with the melted apricot jam, and then stick it on.
Make 11 balls out of the remaining marzipan, roughly 2.5cm in size. Stick them around the cake using the apricot jam. Lightly score the centre of the marzipan in a criss-cross pattern with a sharp knife.
Preheat the grill to around 220C, and put the cake underneath it. Watch it carefully - you want it to be golden, but not dark brown. Remove, allow to cool, then leave to mature (if you can) for a few days or weeks before eating.
(By Nigella Lawson for The Times)


Bottled rhubarb


This week Rachel from The Crispy Cook is hosting Weekend Herb Blogging, and I've found an exciting new way of using one of my favourite ingredients.

There are some ingredients so beautiful and exciting that they always put a spring in my step on the journey back from the market to my kitchen. Blood oranges are one; really fresh, glistening mackerel is another; gorgeous jade-green, slightly squat Williams pears, with their promise of fragrant, sweet juice; dark aubergines, plump, glossy and black like beetle eyes. But probably my favourite is rhubarb. Spring rhubarb: bright, almost obscenely pink, poking out of my bag like sticks of rock. It's even better when the leaves are still attached: the contrasting bright green and pink is slightly mesmerising. I just love this vegetable, and am always looking for new ways to use it.



I'm also keen to use it while it's this lovely: as the season goes on, home-grown rhubarb turns tough, dark green, and woody. It needs a lot more sugar, and doesn't have the delicate flavour and colour that works so well in desserts. It's fine hidden under a thick, crumbly pastry crust or a buttery crumble topping, but isn't ideal for topping a snow-white pavlova or mixing into an orange roulade. A couple of weeks ago I bought a kilo of the pink stuff and put it in my freezer, to satisfy any rhubarb cravings that will inevitably arise over the coming months. But when I spied a heap of gorgeous, pale pastel rhubarb at the farmers' market the other day, and realised we have no more space in our freezer at home, I turned to another method of preservation: bottling.


I remembered an article in the Guardian a year or so ago about bottling rhubarb, and needed no further prompting, especially as we have a supply of these beautiful Le Parfait jars at home. I've preserved lemons in them before (great in Moroccan cooking), and they are just too pretty when filled with fruit to sit behind a cupboard door - my preserved lemons sit next to my bed on the windowsill. Ideal if I ever wanted a midnight snack of mouth-puckeringly sour, salty lemon flesh.


I've also bottled fresh apricots before - they are another ingredient I'm absolutely obsessed with when they're in season. I can't get enough of them: they go on my porridge (simmered into a thick, jammy compote with a cinnamon stick and some dates), on tarts, in pies and crumbles, all through the summer until they disappear and I'm left pining for them. They're one of the few fruits that you can't find all year round in England; unlike plums, they aren't imported all year, usually coming from France or further afield in the summer and then disappearing.


The technique for bottling fruit is simple: make a sugar syrup, then pack the fruit in the jars and pour it over. Then you have to vacuum-seal the jars (see below), but that's it. It is, in my opinion, a better method of preservation than jam-making, because the fruit retains its shape and flavour rather than collapsing into an overly sweet sticky mass. That said, I do love making my own jam and chutney as well, but I usually reserve it for things like apples that are in plentiful supply, rather than treasured rhubarb or apricots.


All I did for this was make a sugar syrup, cut the rhubarb into lengths and soak in the syrup overnight, then sterilise the jars (in the oven, though you can also do it in a pan of boiling water or a dishwasher), pack in the rhubarb, bring the syrup to the boil and pour it over. I then vacuum-sealed the jars by closing the lids, but not tightening the metal clasp, placing them in a low oven, and cooking for about 50 minutes before closing them. You can test the vacuum seal on this type of jar by unclasping the metal bit - if the lid stays tightly on, you know it's worked. To be honest, I'm not sure this step is essential - when I bottled apricots I didn't bother, and they were still delicious several months later when I came to eat them.


That's it, really: beautiful jars of gorgeous pink rhubarb, ready to extract and use in desserts and compotes whenever you fancy. I'm going to try and wait before opening my first jar, but we'll see how long that resolution lasts. I already have an exciting rhubarb cake in my mind. And how gorgeous do these jars look? They'll make a fine addition to my bedside windowsill, and a much better potential midnight snack than a preserved lemon...


Bottled rhubarb 

It's difficult to say how many jars this will fill. Your best bet is to sterilise several jars of different sizes, and use a combination to ensure the rhubarb is tightly packed. Mine filled a 1 litre jar and a 500ml jar. See the Guardian article for tips on sterilising and vacuum-sealing jars: this is the method I used, and it worked perfectly, but you can also use kilner jars. You can also double, triple, or halve the quantities as you wish.

1 kilo spring rhubarb, cut into short lengths
400ml water
180g caster sugar
Le Parfait jars (a total of about 1.5l capacity)

Place the sugar and water in a saucepan and bring to the boil. Bubble away for a few minutes, then pour over the rhubarb. Place in the fridge, covered, and leave to soak overnight.

Sterilise your jars by running them through a dishwasher, or washing in hot, soapy water then placing in the oven at 160C for ten minutes, or boiling for 10 minutes in a large pan. Make sure when you take them out of the oven/pan that you put them down on a chopping board or something - if they go on a cold surface they can crack. Sterilise the rubber rings from the jars by pouring boiling water over them.

Remove the rhubarb from the syrup and pack it tightly into the jars. Bring the syrup to the boil, and pour over the rhubarb so it just about covers it. If you don't have quite enough syrup, top up with boiling water fresh from the kettle.

Close the jars and replace the rubber seals but don't clip them down. Put the oven to 110C and place the jars on a baking sheet with some newspaper underneath in case the contents leak in the oven. Put in the oven and leave for 50 minutes. Remove and clip down the metal clips. Alternatively, you can clip the lids down and place the jars in a large pan lined with a teatowel to stop them moving around and breaking. Cover with water and bring to the boil; boil for a few minutes then turn off the heat and let the jars cool in the water.

The next day, unclip the metal. If the lid stays on and doesn't pop up, the seal has worked.